This silent music
August 8, 2026
SkySpace • Philadelphia
Pre-concert talk • 6:30 pm
performance • 7:30 pm
Screaming into the void never felt so calm
Screaming into the void never felt so calm
CREATIVE DIRECTOR • PRODUCER • VOCALS
CO-CREATOR • CO-PRODUCER • VOCALS
PERCUSSION
COMPOSER
COMPOSER
COMPOSER
OUD
POET
ASTROPHYSICS CONSULTANT
I know how hard it is
I Know
But Please
try to sing
The entire
song
The later verses,
I promise you,
are the most beautiful.
George Abud
The Project
This Silent Music is an interdisciplinary performance ritual that invites artists and listeners to slow down, attend closely, and experience music as a shared act of presence. Conceived as an antidote to cultural numbness and disconnection, the work creates space for encountering complex emotions through unconventional sound, silence, light, and community.
Featuring three world premiere commissions, the program reframes the impulse to scream into the void, offering instead an aural meditation – at once active and reflective – on what it means to witness a world that often obscures what is already known. Music unfolds not as spectacle, but as a way of listening: to each other, to the environment, and to what remains unresolved.
A discussion with the composers and collaborating artists will precede the performance, offering insight into the creative process and the questions that shaped the work.
The skyspace
The premiere of This Silent Music will take place at the Chestnut Hill Friends Meeting House in Philadelphia, home to one of only 100 Skyspace installations worldwide by contemporary light artist James Turrell. The Skyspace frames the open sky through a precisely calibrated architectural aperture, allowing audiences to experience the shifting light of sunset and nightfall as an active visual counterpart to the music.
Within this space, sound and light unfold simultaneously, inviting a heightened awareness of time, perception, and collective presence. Created specifically for the Skyspace, the performance’s unconventional sound world abandons the traditional piano in favor of marimba, fixed media, glassy auxiliary percussion, and oud, allowing the architecture itself to shape the music.
Performances at Skyspaces in Massachusetts, New York, and additional locations are planned following the premiere.
The music
AT THE END OF IT ALL
DUET • PERCUSSION • FIXED MEDIA
Transmasculine composer LJ White draws on a collaboration with astronomer Becka Phillipson, whose research on black holes informs the program’s central metaphor. With poetry by Nicole M. Young-Martin, the work explores what exists beyond immediate perception, considering how presence, impact, and potential can remain powerful even when they are not fully visible or understood.
هذه الموسيقى الصامتة • THIS SILENT MUSIC
SONG CYCLE • PERCUSSION • OUD
Based on texts by poet George Abud, Lebanese composer Alex Wakim crafts a song cycle that excavates questions of identity and belonging. Melding traditional Arabic tonality and instrumentation with Western technique, the work unfolds as an act of cultural uncovering – for performers and audience alike – using tension, resonance, and resolution to illuminate what emerges when dissonance becomes part of the story.
EUCALYPTUS
SONG CYCLE • PERCUSSION • MARIMBA
With poetry by Jonathan Clarke Sypert, composer Mieke Doezema contributes a song cycle for soprano, marimba, and auxiliary percussion, employing extended techniques inspired by natural soundscapes and the ecological impact of colonialism. Rooted in mindfulness and close listening, the work invites audiences into an awareness of breath, texture, and the quiet architecture of sound.
This Silent Music is built slowly and intentionally. Donations support commissioning fees, rehearsal time, artist compensation, and the technical requirements of site-specific performance. Every contribution helps ensure this work is realized with care, integrity, and access.
Donations & sponsorship
Founded by soprano Katy Avery, the Katy Avery Commissioning Project (KACP) commissions genre-defying vocal works that bring together unexpected instrumentation, interdisciplinary artists, and contemporary social themes. KACP is sponsored by The International Foundation for Contemporary Music.
in the news
THE PHILADELPHIA INQUIRER
WHAT DOES A BLACK HOLE SOUND LIKE? A VILLANOVA SCIENTIST’S ANSWER WAS TURNED INTO MUSIC.
NPR ALL THINGS CONSIDERED
CAN MUSIC EVOKE SILENCE?
Billy Penn at whyy
SHHH! A SILENT CONCERT IS COMING TO CHESTNUT HILL THIS SATURDAY
CHESTNUT HILL LOCAL
WORLD PREMIERE AT SKYSPACE CHESTNUT HILL
AXIOS Media
UNPLUG AND LOOK UP AT PHILLY’S SKYSPACE THIS WEEKEND
axios philadelphia newsletter
1 FUN THING TO DO: UNPLUG AND LOOK UP
PHILADELPHIA CITIZEN
THINGS TO DO THIS WEEKEND IN PHILLY
HOODLINE
CHESTNUT HILL SKYSPACE HOSTS WORLD PREMIERE BLENDING BLACK HOLES AND OUD MUSIC
PHILADELPHIA WEEKLY
A ONE-NIGHT CONCERT BRINGS SOUND AND LIGHT TOGETHER AT CHESTNUT HILL’S SKYSPACE
BROADWAY WORLD
THIS SILENT MUSIC TO MAKE WORLD PREMIERE INSIDE PHILADELPHIA’S JAMES TURRELL SKYSPACE
OPERAWIRE
KATY AVERY & LIZ LANG TO HEADLINE THIS SILENT MUSIC
MUSICAL AMERICA
THIS SILENT MUSIC: AN ANTIDOTE TO CULTURAL NUMBNESS